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Collection of Works by Patricia Aaron

Le Soleil

beeswax and mixed media
39 x 27 x 3 inches
©2019 Patricia Aaron
Collection of Kirkland Museum of Fine and Decorative Art, Denver, CO

Drydock

beeswax, pigment, mixed media, 40 x 40 inches, ©2019 Patricia Aaron

Inheritance

beeswax and mixed media, 72 x 60 inches
©2019 Patricia Aaron

Running Barefoot

beeswax and mixed media,
48" x 48 inches,
©2019 Patricia Aaron

Raw and Real | Recent Work

Space Gallery | Denver CO 2019-2020

Whistle

Sold
beeswax and mixed media,
40 x 40 inches
©2019 Patricia Aaron

Chieftains Glen

beeswax and mixed media
40 x 120 inches
©2019 Patricia Aaron

Escape Artist

beeswax, pigment, and mixed media on joined panels, ©2019 Patricia Aaron

Afterglow

beeswax, pigment, and mixed media on joined panels, 27 x 39 x 3 inches
©2019 Patricia Aaron

Silfra

beeswax, pigment, and mixed media on joined panels, ©2019 Patricia Aaron

Breakfast in Belfast

Sold
beeswax, pigment and mixed media
24" x 24 inches
©2019 Patricia Aaron

Slieve League

beeswax and mixed media, 48 x 48 inches
©2019 Patricia Aaron

Open Water

Sold | Private Collection
Beeswax, pigments, and mixed media, 40 x 80 inches, ©Patricia Aaron

Out of the Blue

beeswax, pigment, and mixed media, 40 x 40 inches,©2019 Patricia Aaron

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<em> Raw and Real | Space Gallery</em>

Conceptual Art and Abstraction Rule Solos at Space and David B. Smith

The last of the solos, Patricia Aaron | Raw and Real highlights luscious encaustic paintings by prominent Colorado artist Patricia Aaron. Though all three of the showcased artists at Space favor densely composed compositions, Aaron does the others one better by creating all-over abstractions that are atmospheric.

Using scribbles, drips and runs, she makes innumerable pictorial moves that she consolidates into the picture, over, under and around each other. Though the paintings have a neo-abstract-expressionist quality, Aaron has updated that by expressing a sense of depth, as though the viewer were looking into a dense fog or murky waters.

On the second floor are some experimental pieces in which Aaron has stacked panels to form paintings that are actually wall reliefs. One of these, "Le Soleil," a stack dominated by shades of yellow interrupted by bits of red and blue, has been acquired by the Kirkland Museum."
Michael Paglia Westword 20 December 2019.


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